DRAWING AS THE CORE
素 描 為 本
資料來源 Source：https://drawingasthecore.com/
Homemade Cloud
居家製雲
2020
Ultra-violet light, toilet paper, thread, and the rocks from Coronavirus Quarantine Camp _Chun Yeung Estate
紫外燈，廁紙，線、來自檢疫禁閉營＿駿洋邨的石頭
Sculpture size variable
各雕塑尺寸不定
Stage size: 286 cm x 64 cm
枱面尺寸：286 x 64 厘米
Drawing is a healing shelter, a handy container and flexible space to catch the idea directly, which reflects the current sensibility, emotion, and condition of the artist through the performance of the body and response of the material.
素描是一種治癒避難所，最直接的思想投射盛載物，將當時的心情／心態透過肢體的靈敏度和物料的反應，呈現在最隨手捻來的盛載物上或是空間之中。
Lam Laam, Jaffa (b. 1973, China, Base in Hong Kong) received her BFA, MFA and Postgraduate Diploma in Education at the Chinese University of Hong Kong.
She specializes in large-scaled site-specific works of mixed media sculptural installations, which are mainly made with recycled materials. She has been involved in many public sculptural and community projects in Hong Kong and overseas, including Japan, Kenya, Taiwan, Bangladesh, America, Canada and France. Her “Micro Economic” and other public/community projects often explore issues relating to local culture, history, society and current affairs, some of the topics include art in public, the loss of craftsmanship in the city, and the regeneration of the art making cycle. She projects views and thoughts of ordinary people through her non-narrative and dialogical installations.
She received the Desiree and Hans Michael Jebsen Fellowship from the Asian Cultural Council in 2006. Combining the Urban Glass Followership and the Tree Museum’s invitation, she stayed in North American for the “Art in Public” research and creation for eight months in 2007. She was invited to take part in the Fukutake House Project of the Setouchi Triennale in Japan in 2013, Hong Kong Week in Taiwan in 2015, China 8 in German in 2015, Wuzhen International Contemporary Art Exhibition in 2016 and Lyon Lumieres in 2018.
In 2017, she received the commendation award presented by the Secretary of Home Affairs for her contributions to the promotion of arts and culture. She is now the Academic Head of Hong Kong Art School.
林嵐（生於1973年，中國福建，居於香港）畢業於香港中文大學藝術系、研究院及教育學院 。
她的創作以大型跨媒介雕塑裝置為主,常運用回收物料：包括木箱板、舊傢具、回收雨傘布料等。林嵐多次獲邀參加本地及國際展覽，以及世界各地的藝術家留駐計劃，包括日本、肯亞、台灣、孟加拉 、美國、法國和加拿大等。她的社區項目「微觀經濟」以及其他公共社區計劃，以非述事性、開放對話的裝置，為歴史文化與社會時事牽線，反思城市地方、手工業的消失，為小人物寫下大時代的注腳。
林嵐於2006年獲亞洲文化協會捷成漢伉儷獎助金，結合美國紐約的城市玻璃學者奬和加拿大的樹美術館的邀請，她在北美洲各地進行了八個月的「藝術在社區／社會」的研究和創作。她並代表香港受邀展於2013年日本瀨戶內海三年展亞洲平台、 2015年在台灣的香港週、2015年德國的「China 8」、2016年烏鎮國際當代藝術邀請展和2018里昂燈光節。
2017年獲香港民政事務局長嘉許奬。現為香港藝術學院的學術總監。
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